"Press ‘play’ and the soulful notes of Basil ‘Mannenberg’ Coetzee’s saxophone tell you two things. First, Night Express is great music. But, second, the sound doesn’t fit neatly into any of the mid-70s South African musical genre boxes. This was an era when Abdullah Ibrahim’s music spoke to popular audiences as well as jazz fundis, with the bump jive mood of Mannenberg as representative as the more abstract piano explorations of Underground in Africa. It was also the heyday of Soweto Soul, when groups such as Jacob ‘Mpharanyana’ Radebe’s Cannibals melded hoarse lead vocals, sweet female backing choruses and Ray Phiri’s fiery guitar into South Africa’s answer to the Stax sound. "